The days out there
Lola AriasDescription
The number of women in Buenos Aires prisons has doubled in the last five years. Most of them are imprisoned for violating Law No. 23.737, which refers to drug trafficking. Many of them are drug mules who use their bodies to transport drugs.
Yoseli, one of the main protagonists, was held up at Ezeiza airport on her way to Europe. A modelling agency had promised her a job in Barcelona. Unbeknownst to her, she had two kilograms of cocaine in her suitcase.
After conducting theater workshops in the Ezeiza prison in Buenos Aires, Lola Arias decided to make a film and a play featuring women and trans people who spent years in Argentinian prisons and are now free. The film reconstructs their experiences in prison, the play focuses on the time after prison.
“Jail Rock” (working title) is a musical theatre piece based on the lives of the performers. The aim of the play is not to give a mere account of their experiences but to reinvent the musical genre in documentary form by mixing scenes and stories from their real lives with music and choreography.
Argentinian Lola Arias is a writer, theatre and film director. As a multi- and interdisciplinary artist, her work brings together people from different backgrounds (war veterans, former communists, children of migrants, etc.) in theatre, film, literature, music and art projects. Lola Arias’ works play with the intersections of reality and fiction.
Contributors
- Text und Regie
- Mit Yoseli Arias, Delfino Natal Delfino (in replacement of Ignacio Rodriguez), Estefanía Hardcastle, Noelia Perez, Paulita Asturayme, Carla Canteros
- Musikerin auf der Bühne Inés Copertino
- Dramaturgie Bibiana Mendes
- Musikalische Komposition Ulises Conti, Inés Copertino
- Choreographie Andrea Servera
- Szenografie Mariana Tirantte
- Technische Leitung und Lichtdesign David Seldes
- Technische Leitung on Tour Matías Pagliocca
- Kostüm Andy Pfiffer
- Video Martin Borini
- Sounddesign Ernesto Fara
- Stagehands Manuel Ordenavia, Andrés Pérez, Roberto Baldinelli
- Assistenz der Technischen Leitung David Facundo
- Regieassistenz Pablo Arias Garcia
- Tourmanagement Lucila Pfiffer
- Dramaturgische Beratung Alan Pauls
- Produktion und Vertrieb Emmanuelle Ossena & Lison Bellanger - EPOC productions
- Künstlerische Produktion Luz Algranti & Sofia Medici
- Produktion & Administration Lola Arias Company Mara Martínez
- Technische Produktion Ezequiel Paredes
- Produktionsassistenz Juan Manuel Zuluaga Bolivar
- Bühnenassistenz Lara Stilstein
- Casting Talata Rodriguez (GEMA Films) Rechtsberatung Felix Helou
- Sozialarbeit Soledad Ballesteros & Matias Coria
- Bühnenbau Workshops des Théâtre National Wallonie Bruxelles
- Produktion Lola Arias Company / Associated producer Gema Films
- Koproduktion Le Parvis Scène nationale Tarbes-Pyrénées (France), Complejo Teatral de Buenos Aires, Festival d'Avignon (France), Festival d'Automne à Paris, Théâtre de la Ville Paris (France), Comédie de Genève (Switzerland), Théâtre National Wallonie-Bruxelles (Belgium), Maxim Gorki Theater Berlin (Germany), Tangente St. Pölten - Festival für Gegenwartskultur (Austria), Nationaltheatret Oslo (Norway), Scène nationale du Sud-Aquitain (Bayonne, France), La Rose des vents Scène nationale Lille Métropole Villeneuve-d'Ascq (France), NEXT Festival (France), Théâtre National de Strasbourg (France), International Sommerfestival Kampnagel (Germany), Théâtre national de Bordeaux en Aquitaine (France), Zürcher Theater Spektakel (Switzerland), The Brighton Festival (England), Theaterfestival Basel, Kaserne Basel (Switzerland), Künstler*innenhaus Mousonturm (Germany), CDN Orléans / Centre-Val de Loire (France), Fonds TransFabrik – deutsch-französischer Fonds für darstellende Künste